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Angel Review - "Shells"
posted March 3 2004, 7:14 pm by fiziko

Category: Buffy Man, I so don't want to wait for April to see more of this.

Read more... ( 23 comments already posted ) | ( 3212 bytes in body ) | ( Post a comment )


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Cast and Crew

David Boreanaz as Angel
Alexis Denisof as Wesley Wyndham-Pryce
J. August Richards as Charles Gunn
Amy Acker as Fred Burkle
Andy Hallett as Lorne
James Marsters as Spike
Written and directed by Steven S. DeKnight

Past TV reviews can be found here.

Original Airdate

Shells originally aired on Wendesday, March 3, 2004.

Synopsis

What's left of Fred tries to fulfill its plans to rule the world, while the crew tries to deal with the loss.

High Point

"Were you even listening?"

Low Point

Wes' lack of immediate reaction to his surprise visitor.

The Review

They took a concept that looked familiar and ran to new places with it. The unoriginal feel of last week is almost gone; the similarities to past events is acknowledged, and the story is driven elsewhere almost immediately. The character interaction was excellent, and the resolution of this story was totally unexpected when the episode started. I give it 5 out of 6.

The effects were very well done, again. My only complaint is that the slow motion bits looked more like low frame rates than honest slow motion. I give it 4 out of 6.

The story was well written, and well structured. These guys don't hold back. When this was made, they didn't even know this would be the last season; I can't wait to see where they take this now. This just kept driving through, moving things forward. The character work was great all around. I give it 5 out of 6.

The acting this week was packed in very well. Everyone had some time with strong emotions, and they all pulled it off. This is one aspect that this episode had to do perfectly, and they pulled it off. I give it 6 out of 6.

The emotional response was excellent. The acting tied in well with the script, and kept me involved the entire time. I give it 6 out of 6.

The production was very well done, particularly with the camera work slowly revealing the pieces of the Hyperion, bringing fans of various focus into things at various times. I give it 6 out of 6.

Overall, it's a fantastic way to end sweeps, and leave us begging for more. I give it 6 out of 6.

In total, Shells receives 38 out of 42.



 Comments

Hyperion?
posted by teraph on March 3 2004, 11:49 pm

The production was very well done, particularly with the camera work slowly revealing the pieces of the Hyperion, ...

I'm pretty sure that wasn't the Hyperion. It had a long hallway, a stainless-steel drinking fountain, and the doors at the top of the steps were wrong.

I believe it is, however, a set they've used before. In season one, when Faith comes to town, she first announces her presence to Angel by shooting at him with a crossbow. I believe the building where that occured and the one used as the set for the swordfight are the same.


reply to this

Re: Hyperion?
posted by Set on March 4 2004, 6:58 am

I'm pretty sure that wasn't the Hyperion. It had a long hallway, a stainless-steel drinking fountain, and the doors at the top of the steps were wrong.

Sorry, but I can't remember...what's the Hyperion? TIA!

reply to this

Re: Hyperion?
posted by teraph on March 4 2004, 12:14 pm
Sorry, but I can't remember...what's the Hyperion? TIA!

The hotel they used as "home base" for Seasons 2-4.


reply to this

Re: Hyperion?
posted by UncleJam on March 4 2004, 1:09 pm

The hotel they used as "home base" for Seasons 2-4.

And, apropos of nothing, the apartment building they use for the exterior shots of the Hyperion is just a couple of blocks down from my building! I always used to get a little kick out of driving past it.


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Re: Hyperion?
posted by Set on March 5 2004, 9:15 am

The hotel they used as "home base" for Seasons 2-4.

Holy crap, how could I forget that. Excuse me while I beat my head against the wall :)

reply to this

Re: Hyperion?
posted by rune on March 7 2004, 10:25 am
Holy crap, how could I forget that. Excuse me while I beat my head against the wall :)
Maybe it disappeared together with your memory of ... whatshisname?

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Best Episode This Season
posted by Babbster on March 4 2004, 2:01 am
I figured Joss & Crew had to have something different from last season up their sleeves, but this episode turned out better than I could have hoped.

What's most interesting to me is that Illyria can be interpreted to have almost no responsibility for Fred's death. Angel decided to join Wolfram & Hart, Knox chose Fred as the vessel, Gunn facilitated the sarcophagus clearing of customs - all of them are complicit to some degree in Fred's fate. On the other hand, the demon had no idea it would be resurrected inside a human and was clearly surprised once the resurrection was complete. That certainly helps explain Wesley's willingness to take the demon in and makes Fred's death quite a bit more interesting.

I have a different low point, though. Mine was when Wesley stabbed, but didn't kill, Gunn. While he knew the Knox was the one truly responsible, still, Gunn's actions were emblematic of the problems they foresaw when the crew took over W&H, and they specifically warned Gunn early on of the potential price that would be exacted for his enhancements. I expected a harsher lesson, but we'll probably get at least one or two of those before the season ends. :)


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Re: Best Episode This Season
posted by Alexius on March 4 2004, 6:49 am
I expected a harsher lesson, but we'll probably get at least one or two of those before the season ends. :)
He Would Have Traded His Life For Freds At Any Moment. He Lost Her, And I Think That Was The 'Harsher Lesson'.

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Re: Best Episode This Season
posted by y42 on March 4 2004, 8:11 pm

I have a different low point, though. Mine was when Wesley stabbed, but didn't kill, Gunn.

Well, Gunn got the message (getting stabed is not fun, even if it doesn't kill you), and he can still be usefull...

Also, killing demons is one thing, but killing people is murder (dark priests don't count).


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Re: Best Episode This Season
posted by Babbster on March 5 2004, 1:18 am

I have a different low point, though. Mine was when Wesley stabbed, but didn't kill, Gunn.

Well, Gunn got the message (getting stabed is not fun, even if it doesn't kill you), and he can still be usefull...

Also, killing demons is one thing, but killing people is murder (dark priests don't count).

I'm probably just reacting to the fact that I've got much love for main characters dying, and Fred's death wasn't quite as satisfying with her body going on. ;-)


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Re: Best Episode This Season
posted by vanyel on March 8 2004, 10:43 am
Well, Gunn got the message (getting stabed is not fun, even if it doesn't kill you), and he can still be usefull...

I think that was my high point: Wes' line about "I didn't hit any major organs, so he should live" --- that was delivered perfectly. ;-)


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despair
posted by colonypod on March 4 2004, 12:03 pm
After the episode ended, I had to think to myself "when did Angel become an existentialist tv show?" The ideas of coping with despair and the pain of living, the separation of all the characters (that wes and gunn scene was one of the few where the characters were looking at each other), the mixing of hope and non-hope... all way more intense than anything I'd seen on Angel before

reply to this

Re: despair
posted by Babbster on March 4 2004, 12:43 pm
And done a lot better than in Buffy season six...

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Re: despair
posted by y42 on March 4 2004, 8:13 pm
And done a lot better than in Buffy season six...
They've been practising...

reply to this

Shells
posted by UncleJam on March 4 2004, 1:14 pm

I'll reserve judgment on this ep until I see how it all plays out in a few months. At first viewing, however, I was less than impressed. I just felt like there was something missing, though I'm not sure I can put my finger on what it might be.

It all seemed kind of pointless to me.

But Amy Acker was h-o-t in that Illyria getup.

I had to laugh when Wesley took a swing at Illyria with an axe. That'd be two girlfriends he had to behead.


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Re: Shells
posted by teraph on March 4 2004, 2:47 pm

I'll reserve judgment on this ep until I see how it all plays out in a few months. At first viewing, however, I was less than impressed. I just felt like there was something missing, though I'm not sure I can put my finger on what it might be.

Right there with ya. I think the idea of a great power being brought low by being away to long, and then having an existential crisis about it, is a great idea. (Basically, the feeling of being irrelevant.) But I don't think we had enough development of the Illyria character to sympathize with, or even believe, that crisis.

As it stands now, I'd almost rather have had Wesley shoot her when she failed. All the same, it's interesting that the only creature with whom she ever had a "personal conversation" was Wes. Knox was too busy fawning. The others were too busy trying to kill her. Wes actually talked to her (maybe even as an equal).

Maybe, if we'd had Wes and Illyria trapped in her world for the rest of the episode, where they would be forced to interact (rather than her choosing to do so back at W&H) it would have been more believable that she would have wanted his help. Especially if that conversation was the first time she'd ever actually learned anything substantial about human beings, and she found that she was interested in them. (Presumably, a great demon, consumed in conflict with other great demons, wouldn't have taken the time to find out what really made a bunch of worthless mammals tick. With that conflict mostly on hold, what else do you do?)

Alternately, it could have been revealed that W&H wasn't just responsible for locking down the gate, but also for the destruction of her army (some people may have inferred that, but I don't recall it being said). Then she could seek revenge, asking Wes for help in taking out W&H. That gives us two characters with very active goals; right now, they're sort of floating.

Finally, at the end of the episode, we have Harmony comforting Gunn, although she doesn't really have motivation to do so. We have Spike staying because of something bad coming, despite having no reason to think that. And we've had two potential Big Bads (Lyndsey and Illyria) that faded out after a few episodes each.

In short, we haven't gotten anywhere, except to places that don't make sense. If we'd seen Harmony all season trying to mimic Angel and Spike's path to redemption -- she is, after all, a follower -- then I could see her trying to comfort Gunn. Maybe that could have even been her first compassionate act that was "true" and not just going through the motions.

If that guy in the Deeper Well had warned Angel and Spike that Illyria's wakening was just the start of something worse, them Spike's feeling of dread would make more sense.

Heck, if Illyria had experienced a couple of Fred-like moments, or even just a affection for Wesley she couldn't explain (especially if he was the only mammal she couldn't bring herself to kill) then that dynamic may have been more interesting. (Of course, maybe they were shooting for "Illyria and Wes" have a special relationship, but then missed the target a little.)

So, yeah, I'll be waiting just like you.


reply to this

Re: Shells
posted by NSA on March 5 2004, 10:10 am
Finally, at the end of the episode, we have Harmony comforting Gunn, although she doesn't really have motivation to do so... Maybe that could have even been her first compassionate act that was "true" and not just going through the motions.

...Heck, if Illyria had experienced a couple of Fred-like moments, or even just a affection for Wesley she couldn't explain (especially if he was the only mammal she couldn't bring herself to kill) then that dynamic may have been more interesting. (Of course, maybe they were shooting for "Illyria and Wes" have a special relationship, but then missed the target a little.)

I agree that Harmony's recent character development has been pretty abrupt, but we already knew that vampires can show affection and sympathy, even for humans. Circumstances have forced Harmony to see Gunn and the others as "friends" instead of "food", and she's changed because of it. There's still a lot of the old Harmony there, wanting to belong and have a surrogate family.

I think the Fred flashback at the end of the episode was supposed to be Illyria having an extended and vivid "Fred-like moment" - reliving one of her shell's most emotional moments. I also suspect the fact that she didn't do more killing and mayhem might be an indication of some residual Fred-ness.


reply to this

Re: Shells
posted by nkuzmik on March 5 2004, 1:09 pm
Alternately, it could have been revealed that W&H wasn't just responsible for locking down the gate, but also for the destruction of her army (some people may have inferred that, but I don't recall it being said). Then she could seek revenge, asking Wes for help in taking out W&H. That gives us two characters with very active goals; right now, they're sort of floating.
That is an interesting thought. Combine that with Illyria's new relationship with Wes and the ever scheming Senior partners and that could lead to some interestingly uncomfortable alliances. Picture this, Illyria's rise was not orchestrated by the Senior Partners, but perhaps by the Powers that Be. Perhaps they know something is coming. Perhaps they released this particular demon into this particular body for a reason. Maybe they banked on enough of Fred surviving and influnencing a very confused Illyria.

Okay. I'll stop talking.


reply to this

Re: Shells
posted by y42 on March 4 2004, 8:31 pm

I was less than impressed. I just felt like there was something missing,

Yeah, muppets.


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Re: Shells
posted by Babbster on March 5 2004, 1:19 am
I had to laugh when Wesley took a swing at Illyria with an axe. That'd be two girlfriends he had to behead.

"Mega dittos." I just about howled at that myself. :)


reply to this

So what now?
posted by Eldhrin on March 7 2004, 4:33 am
Either: we all go mad and die because of the evil network habit of stopping for ages in the middle of the season (thank $deity that British TV channels don't do that - this is the trick that let us show the last episodes of the last couple of seasons of Babylon 5 before they were shown in America. Muahahahaha).

Or: Illyria and Wesley embark on a crusade to destroy the Wolf, Ram and Heart. Angel and co would probably end up having to decide whether to help them (I suspect any war between Illyria and the senior partners would have huge amounts of 'collatoral damage') or to help the senior partners in order to stop hundreds of thousands of humans getting killed in the conflict.

Or: The senior partners try and take out Illyria, Angel and co end up saving her

Or: Willow turns up and we don't care about the plot anymore because she's so cool.


reply to this

Re: So what now?
posted by Alexius on March 8 2004, 6:02 am
Or: Willow turns up and we don't care about the plot anymore because she's so cool.
I Could Live with That. I Was Hoping That The 'Old Friend From Sunnydale' We Are Expecting Turns Out To Be Tara. (Unlikely As An Angel And Lindsey Sex Scene, But I Can Hope...)

reply to this

Re: So what now?
posted by Eldhrin on March 8 2004, 8:02 am
I Could Live with That. I Was Hoping That The 'Old Friend From Sunnydale' We Are Expecting Turns Out To Be Tara. (Unlikely As An Angel And Lindsey Sex Scene, But I Can Hope...)
Well, Angel never knew Tara, so that wouldn't really work very well. Plus if Willow can't bring her back from the dead, she's unlikely to show up in Angel unless the Powers That Be decide to get involved, and even if they do why would they choose her? Tara was never anywhere near as powerful as Amy, let alone Willow, so she wouldn't really be that much use. It'd be very cool if Dawn turned up, although I'm not really sure what she could do. It'd be good to see all those implanted memories working away in Angel and Wesley's minds though, and she (almost) always got on well with Spike.

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