What kind of offence is “Star-bucking?”*
–vaguely Irish female prisoner, 70s Galactica ep, “The Long Patrol.”
“Act of Contrition” (Part 1) juggles three timelines and provides us with small developments in two subplots, all while remaining coherent and maintaining a good pace. This ep also emphasizes character more than the series has previously. Specifically, this one’s about Kara “Starbuck” Thrace, and her guilt over a past act.
“Act of Contrition”
Cast and Crew:
Katee Sackhoff as Kara “Starbuck” Thrace
Edward James Olmos as Commander Adama
Mary McDonnell as President Laura Roslin
Jamie Bamber as Lee “Apollo” Adama
James Callis as Dr. Gaius Baltar
Grace Park as Sharon “Boomer” Valerii
Bodie Olmos as Hot Dog
Michael Hogan as Col. Tigh
Tahmoh Penikett Helo
Tobias Mehler as Zac
Writers: Bradly Thompson, David Wheddle
Director: Rod Hardy
Plot:
An accident kills several pilots and puts several more in the sickbay. Adama assigns Starbuck to train replacements, but her guilt over Zac’s death interferes with her ability to do her duty.
Meanwhile, on occupied Caprica, Helo and Boomer find an apparent military outpost– but it’s clear the Cylons have designs.
As part one of this two-part episode ends, new circumstances makes the need for new pilots all too apparent.
High Points:
1.The show does a great job of juggling three different timelines, and repeating moments that have a definite change in effect with the change in context.
2. Galactica has created a plausible military culture, built from bits and pieces of our own world which serve as reference points. This episode highlights the series’ sense of reality, familiar but not quite our own.
Low Point:
The number of times Starbuck gets reminded of her guilt by the comments of characters– mostly Adama– who are unaware of the effect their remarks have, seemed to labour the point. Sometimes, less really is more.
The Scores:
Originality: 4/6 This is a conventional military story, set in space. However, it is well made, and if stories like it have been common in printed SF, we’ve not seen much like it on television.
Effects: 6/6. The space shots remain impressive.
Story: 5/6 . It’s a two-parter, but I’m going to be optimistic about the overall story. Those of us watching on this side of the ditch don’t yet know how this one ends.
Acting: 5/6 This story emphasizes characters, and the actors are solid.
Emotional Response: 5/6. I found the story moving, though the writers overdid the central emotional conflict in places. It’s also great that Galactica’s first sexy shots were genuine and intrinsic to the story. The show didn’t stoop to cheap cheesecake, beefcake, or decongelcake.
Production: 6/6. Great editing.
Overall: 5/6
In total, “Act of Contrition” receives 36/42
Additional Comments and Musings:
I lie in my bed and dreamed I walked
On the Sea of Tranquility
I knew that someday soon we’d all sail to the moon
On the high tide of technology.
But the dreams have all been taken
And the window seat’s taken, too
And 2001’s already come and gone
What am I supposed to do?
Now that the space race is over
It’s been and it’s gone
And I’ll never get to the moon.
Now that the space race is over
And I can’t help but feel
That we’ve all grown up too soon.
–Billy Bragg
One of the things this show makes me feel is nostalgia for a future that never happened.
A time once was when we were going to the moon, and then we went to the moon. It seemed like humanity would move into space, and a base on the moon by 2000 seemed a given. The hard SF of the postwar era often dealt with the basics of space travel and space life, but in a context that imagined it would be our near future, and that deep-space flight might follow not so very far after.
Since the 1990s we’ve experienced a Renaissance of hard SF. The best easily matches the quality of the older stuff– but it lacks the potential to posit that the old, more optimistic view of our future will happen anytime soon.
Galactica has a bleak premise, but it creates a world very like that found in the SF of old, and it sets well-crafted stories in that world. For these reason alone I would keep watching.
*With reference to the opening question, I suspect the crime of “Star-bucking” involves selling overpriced coffee beverages in pretentiously-labelled sizes. Yeah, yeah…. You saw that one coming.
Comments
Having raced home from Austin to start watching part 2 before the TiVo had
gotten halfway through it (and discovering for Sci-Fi Channel thats the best
time to start watching is 30 min into the recording, you never hit a
commercial or run out of recording) I must say this was a pretty decent two
part story arc. I almost wish they didn’t do the ‘to be continued’ bit, just
seemed like a natural progression of a story arc.
Part one really up played the emotional response much more than I’ve seen in
any sci-fi story in a long time. The constant flashback to the spin of the
viper going in had you wondering at first if you were watching Zach’s
death…then as it progressed and they showed more of the interior and the
activity you figured out it was Thrace.
I’ve said it in every other review posted but god I love this show so far. Great
stuff.
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<BLOCKQUOTE TYPE="cite">
Having raced home from Austin to start watching part 2
</BLOCKQUOTE>
Having just watched Part 2 yesterday, while it was good dramatically, I really felt let down: there is just no f-ing way. Not a single chance in hell. Adama putting the entire fleet at risk was bad enough, but was a minor problem.
There is, however, no f-ing way Starbuck could fly that raider:
1. Stuffing a sock in a hole the size of a fist is not going to hold atmosphere
2. The controls would not have been mechanical, and ripping the hell out of the innards does not make equipment work better
3. Even if she could have somehow made the controls work, they would not have been in good enough shape for her to outfly Lee
4. If she killed the cylon brain with that shot out in space, there would not have been enough left of the raider to recognize it, much less fly it. It would have been a pretty flaming meteor…
I just hope the rest have at least some level of plausibility…
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I’m glad I’m not the only one who felt this way about part two. I still enjoyed
the episode, but it really undercut the hard-boiled verisimillitude of the series
for me. And I remember hoping that this exact thing wouldn’t
happen, and, well, it’s one of the first things that happen.
It’s not a dealbreaker for me, the show is still really good, but this is a
real dent in the show’s credibility for me. Ah well.
Re: Comments
In reply to a few spoiler points:
Actually all you need is a patch that’s non-porous and flexible. Air pressure will hold it in place once it’s in space. A sock wouldn’t do it, but a big enough piece of fabric from her suit folded suitably might do. I can suspend disbelief on this one.
We dunno what Cylon/machine interface is like. Maybe there’s a legacy from the time when they were under human control, that’s a stock SF plot point. Iffy but I can let it go.
Yeah, that one’s pretty far out there. :-)
She didn’t. It was still alive – remember when she poked it with her knife?
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Re: Comments
One thing that’s important to remember is that the Cylons were designed by humans, therefore they’re quite likely to use some human-recognisable and human-comprehensible concepts in their interface design.
I’m tempted to say more but I daren’t in case I step over into spoilers of later in the season.
Re: Comments
If I remember my physics correctly, air pressure is exactly what would blow the sock out. Pressure on the inside + no pressure in the vacuum of space = bye bye sock and atmosphere.
I kinda let it slide that maybe this thing was pulling cables with it’s tentacles, but that’s a really stupid and ineffecient way for a semi-organic ship to fly.
No way. She’s lucky she could take off.
Now, I understand Starbuck’s lot in life is to be a show-off, but it seems if you’re precariously flying an unfamiliar spacecraft perceived as hostile by your peers, the FIRST thing you’d do is flash your underside "STAR BUCK" sign (which I though was really clever).
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Well, first you have to get close enough for them to be able to read it, and THEN, you have to get their attention in such a way that they don’t automatically blow you up anyway.
I was reminded of the original episode where Starbuck and Apollo fly a Cylon raider into a Base Star to destroy the C&C operations center and lose their ID transponder. I was wondering how they would handle it. I think this version did it better.
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Actually, no, and I think it gets back to why we’re seeing humanform Cylons.
There’s a cut scene on the DVD from the miniseries where one of the
undercover Cylons (the press agent) is axplaining to a tour group that the
only sensor that can’t be jammed is the human brain. They made the point
again more subtly – “Eyeballs Mk 1”.
Also consider that they’re throwing nukes around, with all the EMPs
that nukes imply. The one trick we saw work in the miniseries was Apollo
generating an EMP – ostensibly to trick the Cylons, but who knows what kind
of havoc that would play on non-biological sensors?
I think this explains why they’ve moved to using biology. They’re just too
vulnerable to software and EMP attacks.
It actually makes a lot of sense to try to operate as much as possible with
biological and mechanical methods.
Re: Comments
18 minutes, actually, and that’s standard – US television “one hour” shows are
usually (excepting things like that 24 “no commercials” season opener)
around 42-44 minutes, and “half hour” shows are about 22 minutes.
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Timeshredder, I’m wondering why you wait a week before posting the Galactica episodes. Is it to prevent spoilers?
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Sadly, I don’t wait a week. In Canada the show runs a week behind the U.S. (and we’re both waaay behind England). When I picked up the review detail to the show, we didn’t know they we’re going to start doing this with the eps. If anyone wants to buy us a satellite dish so we can pick up the U.S. broadcast….
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Bittorrent is your friend. I picked up all the episodes that aired over the weekend and watched them. Great stuff. It has left me wanting more. I really didn’t think I would like this series but if the writers can keep it together… Does anyone know how many episodes have been filmed and how many have aired ? I count 13 plus the mini.
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That would be all of them.
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That use of Bittorrent is probably illegal.</disclaimer> ;)
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There’s the Mini and 13 episodes, SciFi has ordered 6 more scripts (according to SciFi Magazine and The Chicago Tribune).
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Not that many of you will care enough to respect their wishes, but Ron Moore
and the other show creators are pleading that people not download the BSG episodes.
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In reply to this comment by babasyzygy; I can’t reply to his post directly due to a weird bug caused by his not closing his hyperlink tags:
I may have downloaded the eps, but I’m still watching them as they air on Space up here in Canada.
I’m not entirely sure how that would affect ratings, though, as I’m not a Neilson household – and I find it hard to believe that someone in a Neilson household would download episodes rather than watching them on the television, as it seems somewhat antithetical to what they’re supposed to be doing. If you scroll down far enough in the article you linked to, they mention that as well.
Furthermore, it’s time for the networks to wake up and realize that the box has been opened on this, and people are no longer tethered to their televisions. VCRs were a pain in the arse to program, but most people can figure out how to download via BitTorrent.
I’m personally curious as to how many here would be willing to pay (and how much) for a television show, either on a per-episode or per-season basis. I personally would be willing to pay about $5 an episode for something the quality of Galactica, or $50 for the season (and I’m saying that as a person who has already seen the entirety of it). That’s pretty much my max, and an option to get DVDs at a lowered price would sweeten the deal.
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I think there’s nothing wrong with downloading the episodes as long as you don’t substitute them for DVD’s down the road. The most important thing any of us can understand is that if you like/love what someone in The Industry produces, *SUPPORT IT*. Spread the word, share the downloads, and when it comes time to buy the DVDs, do it!
The ratings system is a joke. The people in this forum know that better than anyone else. The only way we can affect the system is to vote with our wallets.
The DMCA is a another joke. It’s an attempt by trade industries to sandbag their dated, failing business models. Who really watches commercials these days anyway? How many good albums do the major labels actually produce?
A la carte cable/on-demand television can’t be avoided much longer, no matter how much it’s fought. I don’t know about $5/episode, though. It seems that we’d buying in bulk, and if I paid that much for everything I like to watch, I’d be out at least $55/week. But the idea of discounts or even rebates on something that you have technically already paid for (minus physical media, packaging, extras, etc.) is a great idea!
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I’d love to see it happen so that good shows can survive in niche markets, but I agree with the price being on the high side: I’m watching about a dozen quality shows a week now, and no way could afford that. What I think might happen is that the ala carte niche shows will follow more of the british short season model of a half dozen, maybe a dozen shows if they’re popular (at least that’s what it seems like from the ones that I see on bbc: hamish macbeth, ultraviolet, coupling). Or a real miniseries as they used to be done here (not the two-part movies that have been the staple lately). Each mini-series could have a real, substantial, story to it as well, making them even better.
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I should clarify – $5 is my upper limit, and that would be Canadian dollars, which makes it about $4 USD (or about 2 Pounds for you Brits). I would not expect to pay that for everything, just niche or high-quality shows that would put that kind of money to good use (such as Galactica).
Something like Enterprise or Stargate I would give a max of $3 CAD per episode (actually, I’d give more for Enterprise were it un-cancelled, B&B fired and Manny Coto put in charge), and I would think that would probably be about average, with seasons running anywhere from $30-55 (again, all in Canadian) – but the reduced price on DVD boxsets would be a must.
Even then, yeah, it’s a premium price, but early adopters always pay more, right? Still, I’d like to have what I do legalized, and I’d like to be able to ensure that the actors whom I enjoy get paid for it. This would kill commercials, though – they’d have to move to a Truman Show style of product placement, or perhaps back to how they did it in the fifties on live television, with the actors stepping out of character for a few minutes at the end of a scene to hawk a product.
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Ditto on much of the previously posted. As for this last bit about advertising, I’m surprised some shows haven’t picked up on this a bit more (Smallville, Late Show, & 24 episodes comes to mind right now). They could up the show length to about 54 minutes and record 12 minutes of in-show commercial footage (leaving 6 minutes for station identification and other such stuff). This would work better for some shows than others… For example I can see Clark now asking his mom where the toilet paper is… she goes and gets it from the top shelf and starts to explain to him that she switched brands because this brand was stronger and more absorbant than the previous brand… Now as far as a show like Galactica, not sure what products you would place. Maybe all the screens in C&C are HD Hitachi and the XO talks about how they were lucky they were just upgraded before the decommisioning of the ship and how great they are… Just some thoughts.
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Does no one remember the hour-long Ford Focus commercial that starred Jennifer Garner, for example?
Shows are actually getting shorter, to make room for more commercials. And they’re butchered even more in syndicated reruns. Even though I despise product placement, I’d rather see, in your example, Martha Kent hocking toilet paper in the middle of a scene than waste 30+ seconds for that sole purpose in a commercial.
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I hope this is a joke. I don’t mind innocuous placement where you can see that he’s eating wheaties for breakfast, for example, but outright embedded commercials would kill the show for me. I’m sure they could be well done, but well done commercials can be done now — how often are they? At least now it’s not too hard to deal with the dreck.
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… and writers and creators and composers. But not necessarily the studio big whigs (shameless B&B mention).
Ah, to live in a world where we pay only for what we enjoy, and that goes directly to those responsible for that enjoyment.
One more…
…what is that quote you’ve posted at the end from?
Re: One more…
Billy Bragg’s “The Space Race is Over.” I’m not certain what album it originally appeared on, but that shouldn’t be too difficult to find online. I know it from The Essential Billy Bragg compilation.
Great two part story arc
Some unkind comments have been made of Starbuck, but this story arc shows just what a natural pilot she is. She was cast in the same mold as Chuck Yeager. With her O2 running out she climbs on board the cylon ship and figures out how to fly it home. (And finally answers our question, those cylon fighters are not flow BY cylons they ARE cylons! And the cylons have biological brains too, they are cyborgs). Starbuck quoted from Wolfgang Langewiesche on the art of flying (go get a copy of “stick and rudder” and see what I mean).
Re: Great two part story arc
Hey, thanks for spoiler-masking it for those saps like me who are stuck waiting until tomorrow to watch it. I didn’t want to enjoy the payoff to the cliffhanger or anything. :)